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It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
Heer God, U loven wij. Opwekking 7. SATB Arrangement: Gertim.
SDG
1:49 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 8 100%
Tenor/Bass Bass 17 0 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 8 100%
Tenor/Bass Bass 17 0 4 8 100%
 
Jesu Hail! O God most holy, by John Stainer.
SDG
2:40 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
 
154. Ach Herr, lass dein lieb' Engelein, Joh. Passion (J.S. Bach, BWV 245.40).
SDG
1:39 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B T Bass 21 3 5 4 100%
S A Treble 15 0 3 6 100%
 
191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.
SDG
1:02 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
 
25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)
SDG
1:54 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
 
33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
 
Het is volbracht! (variant IV). Composed by Gertim
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
 
3. Auf, auf! mein Herz, mit freuden, Schemelli, J.S. Bach, BWV 441.
SDG
0:58 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 1 3 5 100%
T B Bass 15 1 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 14 1 3 5 100%
T B Bass 15 1 2 4 100%
 
Great is Thy faithfulness.
SDG
1:34 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 13 1 3 7 100%
T/B Bass 14 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 13 1 3 7 100%
T/B Bass 14 0 3 7 100%
 
There is a green hill far away. "Er is een heuvel, ver van hier, Zijn naam is Golgotha, Joh. de Heer 473.
SDG
0:24 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 3 100%
T B Bass 12 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 3 100%
T B Bass 12 0 3 3 100%
 
Het is volbracht! (variant I). Composed by Gertim and harmonisation improved by BSG.
SDG
0:56 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 13 0 3 7 97%
Bass 21 0 4 6 94%
 
20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
 
Safe in the arms of Jesus. Veilig in Jezus armen, Joh. de Heer 523.
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 7 100%
T B Bass 14 0 1 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 7 100%
T B Bass 14 0 1 7 100%
 
2. Ach Gott, erhör' mein Seufzen!, J.S. Bach, BWV 254.
SDG
0:42 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%